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Fixing color issues when working with mixed color temperature footage can be simplified utilizing color keys in DaVinci Resolve.
Removing unused clips from a large media pool makes any DaVinci Resolve project easier to manage, but how do you know what’s being used and what isn’t?
When shooting directly at the sun, some digital cinema cameras suffer from the “black sun effect,” which can leave a nasty-looking hole in your image. Here’s how to fix it in DaVinci Resolve.
Color correction can be a very frustrating process for those without much post-production experience, but using a color chart on set can make things much easier in DaVinci Resolve.
Compound clips are a great way to group multiple clips together in DaVinci Resolve. Here’s how to use them.
For long-form DaVinci Resolve projects, one of the easiest ways to get up and running involves using the powerful scene cut detection feature.
DaVinci Resolve may be known as one of the world’s best color grading platforms, but its compositing/chroma key tools are just as impressive.
The duotone color style can work really well as a more experimental look. Achieving great results only takes two very simple steps.
Want to become a Resolve master? Check out these five great places to learn the ins and outs of Blackmagic Resolve.
DaVinci Resolve 12 debuts the Smooth Cut transition, mimicking Premiere’s Morph Dissolve tool. Interview editing has never been easier.
Power windows can now be converted to Bezier curves in DaVinci Resolve 12. Learn how to use this timesaving feature.
In a fast-paced session, it’s easy to lose track of each node’s function in the tree. DaVinci Resolve 12′s compound nodes offer a solution.