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Home » Archives for Noam Kroll » Page 2

Noam Kroll
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Noam Kroll

Noam Kroll is an award-winning filmmaker based in LA. He is the owner of Creative Rebellion, a boutique production company.

In a decade of work in the entertainment industry, Noam has completed over a hundred productions, broadcasts, and commercial works. His hands on directing approach often has him serving as cinematographer and editor on his own projects, many of which have screened and been awarded internationally. 

His diverse filmmaking background led him to develop many new and innovative techniques, which he regularly shares on his blog at noamkroll.com.

Slow Motion Video Editing
Filmmaking

5 Common Mistakes to Avoid When Shooting Slow Motion

Slow motion footage looks beautiful when shot properly, but making any of these five common mistakes while shooting can completely ruin your final product.

By Noam Kroll 02-17-2016
Cinematography

The Basic Fundamentals of Lighting a Green Screen

Learning how to evenly light your green screen backdrop will give you better results when it comes time to edit your video.

By Noam Kroll 02-11-2016
Cinematic Framing Mistakes
Cinematography

The Most Common Framing Mistakes in Cinematography

Framing can often make or break a great shot. Here are a few of the most common framing mistakes made by cinematographers.

By Noam Kroll 02-03-2016
Production Tips Cover
Video Production

5 Easy Production Tips for On-Set Efficiency

No filmmaker wants to find themselves going into overtime on set. These five production tips will help you avoid going over time and over budget.

By Noam Kroll 02-02-2016
Soft Hazy Look Cover
Cinematography

How to Create a Soft Hazy Look Without a Fog Machine

Fog machines and hazers are some of the most widely used tricks of the trade on film sets, but they certainly aren’t the only way to give …

By Noam Kroll 02-01-2016
Anamorphic Cinematography
Cinematography

Anamorphic 101: How to Shoot and Edit Anamorphic Footage

Anamorphic footage has become synonymous with the “Hollywood” look, which has many independent filmmakers using anamorphic lenses as a means to add production value to their projects. …

By Noam Kroll 01-28-2016
a7SII Color Grading Cover
Color Grading

Color Correcting a7S II Footage for a More Natural Look

The Sony a7S II is one of the most popular mirrorless cameras on the market for video, but it calls for some extra color grading in post …

By Noam Kroll 01-27-2016
cinematography tip mirror lighting cover
Cinematography

Cinematography Tip: Use Mirrors to Light Your Scene

Filmmakers with limited budgets can often benefit from using mirror kits on set as a means to maintain production value while keeping costs to a minimum.

By Noam Kroll 01-25-2016
ARRI Super 16mm Cover
Cinematography

Achieving a Super 16mm Film Look When Shooting Digitally

Super 16mm film offers a distinct and beautiful look that can be hard to replicate digitally. Here’s what you need to know in order to achieve the …

By Noam Kroll 01-18-2016
DaVinci Resolve Color Match Tip
Color Grading

DaVinci Resolve Tip: Using a Color Chart to Match Your Shots

Color correction can be a very frustrating process for those without much post-production experience, but using a color chart on set can make things much easier in …

By Noam Kroll 01-14-2016
WRMING UP FOOTAGE IN POST
Color Grading

How to Avoid Sepia Looks While Warming up Footage in Post

When attempting to warm up footage in post, many inexperienced colorists will take a wrong turn and wind up giving their footage a sepia look. Here’s how …

By Noam Kroll 01-07-2016
Photoshop Color Grading Featured Image
Tutorials

Photoshop Quick Tip: Color Correcting an Image Sequence

Although many software platforms have the capability to edit and color RAW media natively, sometimes Photoshop might be the best tool for the job.

By Noam Kroll 01-04-2016

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