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Home » Archives for Noam Kroll » Page 4

Noam Kroll
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Noam Kroll

Noam Kroll is an award-winning filmmaker based in LA. He is the owner of Creative Rebellion, a boutique production company.

In a decade of work in the entertainment industry, Noam has completed over a hundred productions, broadcasts, and commercial works. His hands on directing approach often has him serving as cinematographer and editor on his own projects, many of which have screened and been awarded internationally. 

His diverse filmmaking background led him to develop many new and innovative techniques, which he regularly shares on his blog at noamkroll.com.

Color Grading

DaVinci Resolve Tip: Use an EDL and Scene Cut Detection to Set up a Project

For long-form DaVinci Resolve projects, one of the easiest ways to get up and running involves using the powerful scene cut detection feature.

By Noam Kroll 11-02-2015
cinematic drone footage
Cinematography

4 Easy Ways to Make Your Drone Footage More Cinematic

There’s more that goes into capturing cinematic drone footage than just buying the right aircraft. Let’s take a look at some aerial cinematography tips.

By Noam Kroll 10-30-2015
Custom Composition Cover
After Effects

Exporting Tip: Creating Multi-Aspect Compositions in After Effects

While After Effects may be an extremely powerful VFX and motion graphics tool, it can be just as useful for workflow tasks like creating multiple deliverables of …

By Noam Kroll 10-27-2015
continuous birdman shot
Cinematography

Cinematography Tip: One Take, Two Environments

One of the most challenging shots for a DP is a ‘continuous take’ that moves inside and outside within the same shot. These cinematography tips will show …

By Noam Kroll 10-26-2015
davinci-green-screen-new
Color Grading

Pulling a Clean Green Screen Chroma Key In DaVinci Resolve

DaVinci Resolve may be known as one of the world’s best color grading platforms, but its compositing/chroma key tools are just as impressive.

By Noam Kroll 10-23-2015
ProRes Featured Image
Filmmaking

ProRes 4444 vs. RAW: Can You Spot the Difference?

With cameras like the ARRI ALEXA and Blackmagic URSA offering both ProRes 4444 and RAW capabilities, many shooters are torn between the two formats. Are their differences …

By Noam Kroll 10-22-2015
LUTs in Photoshop Cover
Color Grading

How to Generate Easy LUTs in Photoshop

Lookup tables are one of the most useful tools for editors, colorists, and DPs alike. Here’s how you can generate LUTs in Photoshop in a pinch.

By Noam Kroll 10-19-2015
slow motion cover
Video Production

How to Achieve Perfect Slow-Motion Results in Post

Overcranking in camera will give you the option to achieve beautiful slow-motion work in post. But if you don’t follow the right formula in the editing room, …

By Noam Kroll 10-19-2015
DIY video monitor cover
Filmmaking

Filmmaking Hack: Building a Wireless Video Monitor

Wireless video monitoring systems are crucial for many types of productions, but their high costs can often be prohibitive for indie filmmakers. Here’s how to build your …

By Noam Kroll 10-16-2015
DaVinci Resolve
Color Grading

DaVinci Resolve Tip: Create a Duotone Look in 2 Steps

The duotone color style can work really well as a more experimental look. Achieving great results only takes two very simple steps.

By Noam Kroll 10-15-2015
Keyboard Shortcuts FCPX
Final Cut Pro X

The 5 Most Crucial FCPX Keyboard Shortcuts

These five FCPX keyboard shortcuts are crucial if you want to increase your editing speed.

By Noam Kroll 10-14-2015
Model at Sunset
Filmmaking

3 Ways to Use a Collapsable Reflector for Naturally Lit Shots

Many filmmakers have issues shooting under natural light, as they often neglect to utilize one of the most basic tools available to them: the collapsable reflector.

By Noam Kroll 09-28-2015

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