In this masterclass video, VFX legend Douglas Trumbull shares his work behind the visual effects in 2001: Space Odyssey, Close Encounters of the Third Kind, Blade Runner and many more.
You don’t need an elaborate light setup to capture clean, evenly lit shots. In this video tutorial you’ll learn a few tricks for getting great looking shots with a single light setup.
FilmConvert is a powerful post production tool that can quickly give your digital footage an organic film look. In this post we take a look at FilmConvert, it’s capabilities and how to integrate it into your video editing or color grading workflow.
Even some of the world’s best filmmakers had rough starts, so don’t be discouraged! In this post we share the bad first movies of Peter Jackson, Francis Ford Coppola, Ron Howard and Oliver Stone.
In this video tutorial you’ll discover how to create a double exposure title sequence similar to the one in True Detectives.
Get the most out of your investment. Outfit your Blackmagic Pocket Camera with a cage for protection and accessories. In this post, we share 5 good cage options for the BMPCC.
With it’s increased resolution and image quality it’s easy to see why 4K footage is quickly becoming the new standard in video production. But is it too late? In the following article we take a look at the future of 4K and the historical trends that lead us to suspect that it might be short-lived.
Understanding these sound design fundamentals is imperative for crafting a successful audio experience for your film.
Make yourself stand out from the pack with a video resume. In this post we share our favorite video resumes and a few tips for creating your own.
Check out this impressive test footage from both the Blackmagic 4K Cinema Camera and Panasonic Lumix GH4 – exciting products for indie filmmakers.
Creating a realistic tilt-shift effect in Adobe After Effects is easier than you might think. In this video tutorial we show you a simple way to create this highly sought after effect.
Every director of photographer should be skilled at color grading. In this post, we make the case for a multi-faceted approach to cinematography.