We’re going to use DaVinci Resolve to get balanced, glowing skin tones in just a few easy steps — without affecting your other edits.
In this article, we’ll discuss the innovative “cove lighting” style of award-winning Cinematographer Roger Deakins and how he uses it.
You’ll find HMIs doing the heavy lifting on almost every big Hollywood film set — lighting daytime exteriors, diffused windows, and turning night into day.
Uplighting is a great tool in any DP or gaffer’s tool kit. Let’s look at the main ways uplighting gets used (and misused) in cinematography.
In the wake of the multiple announcements at this year’s IBC, let’s look at some of the newest and craziest lights about to hit the market.
Here are three ways some leading filmmakers have broken new ground and freshened up what could otherwise be shoot-by-numbers footage.
Object Removal is a great addition to an already full-featured software package that’s perhaps the best free option on the market.
In this roundup, check out some useful strategies from the world of game theory that apply to the decisions many filmmakers face.
In this breakdown, we look at some common pitfalls when cutting a showreel, how to successfully present your product, and why this is so important.
Using a split-field diopter used to be much more common, but it’s still an effective tool. What is it, and how can you create the effect yourself?