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Home » Video Production » Page 126

Video Production

Tips, tricks and tutorials for professional video producers, filmmakers, directors and camera operators.
Master the art of video production by studying the best.

Cinematography

How to Compose a Cinematic Shot Reverse Shot

Dialogue-heavy moments of character interaction can quickly bog down a film’s pacing. Energize those situations with a cinematic shot reverse shot.

By Johnathan Paul 02-04-2016
87Eleven Stunts Cover
Cinematography

The Insane Stunts and Action of 87Eleven

Explore the explosive stunt work of 87Eleven Action Design, a studio that’s established two of Hollywood’s most in-demand directors.

By Michael Maher 02-04-2016
Replace Watermarked Audio
Audio Editing

How to Replace Watermarked Audio Tracks in Premiere Pro

Learn how to quickly and easily replace watermarked audio tracks with the real thing in Premiere Pro.

By Johnathan Paul 02-03-2016
Cinematic Framing Mistakes
Cinematography

The Most Common Framing Mistakes in Cinematography

Framing can often make or break a great shot. Here are a few of the most common framing mistakes made by cinematographers.

By Noam Kroll 02-03-2016
Production Tips Cover
Video Production

5 Easy Production Tips for On-Set Efficiency

No filmmaker wants to find themselves going into overtime on set. These five production tips will help you avoid going over time and over budget.

By Noam Kroll 02-02-2016
Frame Within a Frame
Cinematography

How to Craft a Cinematic Frame Within a Frame

A well-composed frame within a frame can fracture screen space, add depth, and create visual interest in your cinematic compositions.

By David Goodman 02-01-2016
Soft Hazy Look Cover
Cinematography

How to Create a Soft Hazy Look Without a Fog Machine

Fog machines and hazers are some of the most widely used tricks of the trade on film sets, but they certainly aren’t the only way to give …

By Noam Kroll 02-01-2016
Anamorphic Cinematography
Cinematography

Anamorphic 101: How to Shoot and Edit Anamorphic Footage

Anamorphic footage has become synonymous with the “Hollywood” look, which has many independent filmmakers using anamorphic lenses as a means to add production value to their projects. …

By Noam Kroll 01-28-2016
a7SII Color Grading Cover
Color Grading

Color Correcting a7S II Footage for a More Natural Look

The Sony a7S II is one of the most popular mirrorless cameras on the market for video, but it calls for some extra color grading in post …

By Noam Kroll 01-27-2016
On-screen text message Featured
After Effects

How to Create Realistic On-Screen Text Messages

Add some day-to-day reality into your next video project by including eye-catching on-screen text message visuals. Here’s how to do it the right way.

By Michael Maher 01-26-2016
FCPX Tip Cover
Final Cut Pro X

FCPX Tip: Copy and Paste Attributes

Discover a Final Cut Pro X feature that flies under the radar for many new editors: copy the attributes of any clip in your timeline and instantly …

By Danny Greer 01-22-2016
Cinematography

The 2016 Oscar Roundtables Are Better Than Film School

These must-watch interviews offer great insight for every filmmaker. Learn about the art and current state of the film industry from The Hollywood Reporter’s 2016 Oscar roundtables.

By Michael Maher 01-22-2016

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