When attempting to warm up footage in post, many inexperienced colorists will take a wrong turn and wind up giving their footage a sepia look. Here’s how to avoid that issue entirely.
Increasingly, video editors are color grading on laptops and desktops instead of utilizing accurate, calibrated displays. Here’s how to make this reality work for you.
Trapcode Particular’s latest update adds a handy interface for fast particle creation.
Although many software platforms have the capability to edit and color RAW media natively, sometimes Photoshop might be the best tool for the job.
With thousands of documentaries being produced every year, getting theatrical distribution can seem like a pipe dream. But for those willing to take the right steps, a theatrical release may very well be in the cards for you.
There are many outlets for employment in the video production industry, it’s simply a matter of positioning yourself so you are visible and well-represented to employers.
Working with a new director or DP can be a trial and error process. Here’s how to ensure your production gets the most out of the director/DP relationship.
Enjoy this insightful five-part video series that covers the ups and downs of David Fincher’s acclaimed filmmaking career.
Directing a music video is a great way to get some exposure and make a name for yourself. Just be sure to avoid these three common cliches.
The split-field diopter is a practical lens attachment that can add an unusual and visually exciting effect to your movie. Here’s what you need to know.
Let’s take a behind-the-scenes look at Vader and Luke’s Cloud City duel from The Empire Strikes Back.
As Disney prepares to release quite possibly the biggest film of all time, let’s take a look at why and how The Force Awakens feels like A New Hope.