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Home » Page 97

The Prototype Rigging of Vintage Lenses in "Ford v Ferrari"
Cinematography

The Prototype Rigging of Vintage Lenses in “Ford v Ferrari”

How the filmmakers involved with Ford v Ferrari rigged custom vintage lenses to achieve the gritty look and feel of the 1966 Le Mans car race.

By Paula Goldberg 11-11-2019
The Pros and Cons of Upgrading to a Full-Frame Sensor
Cinematography

The Pros and Cons of Upgrading to a Full-Frame Sensor

Is it time to consider upgrading to a full-frame cinema workflow? In this article, we’ll look at the advantages and disadvantages of upgrading sensor size.

By Rubidium Wu 11-11-2019
A Guide to Turning Your Podcasts into Video Podcasts
Inspiration

A Guide to Turning Your Podcasts into Video Podcasts

From podcaster to videomaker — how can you use video in podcasts, what are some different video styles, and how can you stay ahead of the growing …

By Jourdan Aldredge 11-11-2019
Mocha Pro 2020 Packed with New Features for VFX Artists
Product Reviews

Mocha Pro 2020 Packed with New Features for VFX Artists

The latest version of Mocha Pro just hit the scene, and it’s chock-full of new tools geared toward visual effects artists.

By Jason Boone 11-08-2019
Filmmaking

Costume Designer Ginger Martini on Production Prep and Post Process

PremiumBeat examines the important role clothes play in film and television in this conversation with fashion designer-turned-costume maven Ginger Martini.

By Paula Goldberg 11-08-2019
The Battle for the Mid-Tier Cinema Camera Market: C500 Mark II Vs. FX9
Various

The Battle for the Mid-Tier Cinema Camera Market: C500 Mark II Vs. FX9

For documentary, non-scripted, corporate, and reality work, the FS7 and C300 MII remain the top choices for filmmakers, owner-operators, and producers.

By Tanner Shinnick 11-08-2019
The Ad Astra Editing Team On Creating "Quiet Intensity" in The Edit
Filmmaking

The Ad Astra Editing Team On Creating “Quiet Intensity” in The Edit

The “Ad Astra” film editing team sat down with PremiumBeat to describe their process and what it’s like working with director James Gray.

By Todd Blankenship 11-07-2019
Adobe Showcases Future-Tech for Editing, Animation, and Sound Design
Video Production

Adobe Showcases Future-Tech for Editing, Animation, and Sound Design

From the “Sneaks” section of Adobe Max, take a look at the future-tech for animating text, bringing static images to life, and one-click audio editing.

By Jourdan Aldredge 11-07-2019
Build a Fan Base by Taking Your Indie Film on Tour
Filmmaking

Build a Fan Base by Taking Your Indie Film on Tour

Here are some great tips for taking your film on the road, while successfully building your fan base in the modern digital age.

By Jourdan Aldredge 11-07-2019
A Guide to Developing Questions During Documentary Interview Shoots
Filmmaking

A Guide to Developing Questions During Documentary Interview Shoots

Here are a few helpful questions and tips for conducting interesting, orderly documentary interviews that develop naturally.

By Jourdan Aldredge 11-06-2019
The Best Scenario for Using Space Lights: An Introduction
Cinematography

The Best Scenario for Using Space Lights: An Introduction

Shooting in natural light, outdoors, can often be a limiting experience. Introducing the space light — a great alternative to outdoor lighting.

By Rubidium Wu 11-06-2019
Will an Electronic View Finder Help You Get Better Shots?
Cinematography

Will an Electronic Viewfinder Help You Get Better Shots?

In this article, we’ll examine the EVF, its usability pros and cons, and the best options for an indie filmmaking budget.

By Rubidium Wu 11-05-2019

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