How Editor Paul Machliss Cut Baby Driver in Real Time on Location
Dive into the real time production and post-production workflow of this tightly synced film.
Review: Avid’s Free NLE, Media Composer First
Media Composer First is a free and “limited” version of the industry-standard NLE, but is it worth a download?
Finding the Right Lens Adapter
Here are a few things to consider when choosing your next lens adapter.
Interview: The First Filmmakers to Shoot with the Canon C200
Get insights from the director and DP behind Canon’s From Dock to Dish.
Production Tips for Filming Large Groups of People
Check out these valuable tips and tricks for working with large groups of extras on set.
RED Releases a Futuristic Smartphone. I think.
The RED HYDROGEN ONE is a pocket-sized holographic media machine. I don’t know what that means.
Tech and Film: 7 Innovations Changing the Industry
These 7 technologies are poised to shape the film industry.
Create Master Text Styles in Premiere Pro’s Essential Graphics Panel
Adobe Premiere Pro’s new Essential Graphics panel offers a drastically different workflow from the Title Tool panel.
1080p vs. 4K with The GH5
The Panasonic Lumix GH5 can film in 4K at 60 frames per second, but is it worth it?
5 Tips for Editing a Fast-Paced Video
Rapid-cut edits have their place in certain projects. Here are a few things to consider before undertaking one of your own.
Stylize Your Storytelling with Character Title Cards
Character title cards avoid exposition while telling your audience what they need to know. Learn when (and when not) to use them in this in-depth look.
Canon Announces the 6D Mark II and Rebel SL2 — Neither Shoots 4K
Canon’s new DSLR cameras are here to disappoint video shooters — again.