Posts Tagged ‘DSLR’
3 Tips for Recording Long-Form DSLR Productions
It’s doable, but it’s certainly not easy to record cinematic, long-form productions with DSLR cameras. Find out how with these tips.
Lone Operator? Make Your Next Purchase a Motorized Slider
Motorized sliders can make you more efficient on location shoots, and they add production value to your work with a full-crew look.
Canon Announces the 6D Mark II and Rebel SL2 — Neither Shoots 4K
Canon’s new DSLR cameras are here to disappoint video shooters — again.
3 New Canon Cameras Under $1000 — Still No 4K Video
Canon adds two new DSLR cameras and a new mirrorless body — all under $1,000. Don’t expect to shoot video in 4K.
The Difference Between $1K and $10K Cameras
How do the dollars and cents compare with dynamic ranges and sensor sizes? Let’s examine the differences between $1,000 DSLRs and their higher-end $10,000 counterparts.
Protect Your Camera From Dirt With Simple Household Items
Here’s how to protect your camera from dirt, dust, and sand with inexpensive items you’ve got sitting around the house.
Upgrading to a Real Video Camera
These video cameras have been used by TV studios, independent filmmakers, and major studios alike. Here are the most popular options to upgrade to from a DSLR …
How to Get RED EPIC Quality Footage for Less Than $500
Use this filmmaking technique to create beautifully cinematic footage for less than $500.
Achieving a Super 16mm Film Look When Shooting Digitally
Super 16mm film offers a distinct and beautiful look that can be hard to replicate digitally. Here’s what you need to know in order to achieve the …
Affordable Gimbals for Light Cameras
3-axis gimbals are wildly versatile filmmaking tools, offering stable footage and the ability to create movements that would usually require extra gear.
Have Mirrorless Cameras Killed the DSLR?
Has the DSLR filmmaking revolution come to an end? Will the mirrorless cameras from Sony and Panasonic knock out the Canon DSLR line?
The First 3 Prime Lenses Every DSLR Shooter Needs
If you’re just starting out as a filmmaker or DP, these three prime lenses are the most essential to start with.