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Anamorphic lenses yield arguably the most inherently cinematic images. Now, thanks to Atlas Lens Co. and others, they’re becoming more accessible.

In a new documentary, Off the Tracks, Bradley Olsen explores why Apple made those fateful decisions when designing Final Cut Pro X.

In this video tutorial, learn how you can use the Layer Styles menu in Adobe After Effects for your next film or video project.

Super sharp footage is great when you need it, and not so great when you don’t. Here’s how to soften it — during production and in post.

In this write-up, learn how you can create your own time-lapse videos using the in-camera settings for the Canon 5D Mark IV.

There is nothing worse than losing footage. However, if you’re vigilant and know what to watch for, you can still save a corrupted card.

Blackmagic Design has created the Swiss Army knife of cameras, and here are the definitive reasons why you should be using it.

Greg Sestero chats about his recent collaboration with his real life best friend Tommy Wiseau at the Marfa Film Festival.

You don’t need an expensive lighting set up to get a cinematic look. Here are some simple tips to make dramatic lighting with household practicals.

In this roundup, check out some tips for keeping your cool and shooting quality footage in bright sunlight for your next video project.

Opacity blend modes are among the most mysterious features in Adobe Premiere Pro CC. So, what do they actually do, and why are they in those groups?

DJI is expected to announce the impending release of their latest entry into the Mavic drone line, the Mavic 2 Pro and Mavic 2 Zoom. Top image …