Posts Tagged ‘color correction’
We sat down with colorist Patrick Inhofer to discuss his color grading process and how new colorists can jump into the color industry.
Color correction can be a very frustrating process for those without much post-production experience, but using a color chart on set can make things much easier in DaVinci Resolve.
When attempting to warm up footage in post, many inexperienced colorists will take a wrong turn and wind up giving their footage a sepia look. Here’s how to avoid that issue entirely.
Increasingly, video editors are color grading on laptops and desktops instead of utilizing accurate, calibrated displays. Here’s how to make this reality work for you.
Although many software platforms have the capability to edit and color RAW media natively, sometimes Photoshop might be the best tool for the job.
We interviewed pro colorist Alexis Van Hurkman and asked him to share how an aspiring colorist can tap into the competitive world of color grading.
Compound clips are a great way to group multiple clips together in DaVinci Resolve. Here’s how to use them.
For video editors looking for an alternative to their Adobe Creative Cloud subscription, these apps offer similar functionality at a much lower price point.
For long-form DaVinci Resolve projects, one of the easiest ways to get up and running involves using the powerful scene cut detection feature.
Need to apply a LUT to your footage? No problem. Here’s how it’s done in Premiere Pro.
Learn from filmmaking’s best mixers and sound designers with these interviews from Dolby Insider.
DaVinci Resolve 12 debuts the Smooth Cut transition, mimicking Premiere’s Morph Dissolve tool. Interview editing has never been easier.