Posts Tagged ‘color correction’
What is a digital colorist? What are they responsible for? Let’s take a look at the ever-changing duties of colorists in film and video production.
The Tangent Ripple Color Grading Surface is one of the most anticipated devices of 2016 — and now the user reviews are pouring in. So, what’s the word?
The professional color work of Colin Travers can be seen in everything from TV spots to full-length features. Here’s his take on the industry.
Rockstar pro colorist Mark Todd Osborne shares stories and insight from his celebrated career in color. If you want to know how to break into the big leagues, start here.
Fixing color issues when working with mixed color temperature footage can be simplified utilizing color keys in DaVinci Resolve.
What does it take to break into the big leagues? Are there advantages to working freelance versus taking a job at a big color house? Gain real-world insight from professional colorist Rob Bessette.
Have video footage that needs to look more Hollywood? Follow these three simple steps to make your video look cinematic in no time!
We sat down with colorist Patrick Inhofer to discuss his color grading process and how new colorists can jump into the color industry.
Color correction can be a very frustrating process for those without much post-production experience, but using a color chart on set can make things much easier in DaVinci Resolve.
When attempting to warm up footage in post, many inexperienced colorists will take a wrong turn and wind up giving their footage a sepia look. Here’s how to avoid that issue entirely.
Increasingly, video editors are color grading on laptops and desktops instead of utilizing accurate, calibrated displays. Here’s how to make this reality work for you.
Although many software platforms have the capability to edit and color RAW media natively, sometimes Photoshop might be the best tool for the job.