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Everything You Need to Know About Chroma Key and Green Screen Footage

Logan Baker

This guide will walk through everything you need to know about green screen backgrounds and achieving a perfect chroma key.

In our estimate, almost every big movie made in 2019 used green screen effects for at least one scene. While that’s an entirely unscientific appraisal that you shouldn’t cite in a college paper, it’s probably not far off, considering the accessibility and sophistication of today’s green screen technology. From Marvel movies to local news stations, everyone’s got the key (hah!) to expert compositing technology.

One of the best ways to learn about green screen is to research how it’s been implemented in actual movies. You can peruse YouTube for behind-the-scenes clips or check out our round-up of the most inventive uses of green screen throughout the years. You’ll find that really good green (and blue) screen comes in many packages, from David Fincher‘s subtle yet detail-oriented effects to the iconic space battles in Star Wars.

The use of green screens has come a long way over the past few decades. Many of your favorite YouTubers utilize technology that was once reserved solely for Hollywood blockbusters.

Here, we’ll guide you through the entire process of using green screen backgrounds from start to finish. We’ll talk about lighting, cinematography, keying, editing, and common mistakes.


What Is Green Screen and Chroma Keying?

Shooting the movie The Avengers using a green screen
Image via Disney+.

Before we jump into how to use a green screen, let’s learn what a green screen does and familiarize ourselves with a few key terms.

Green Screen: Technically, this term refers to the colored background you want to make transparent and remove from your shot. This is usually a single-colored backdrop, which can be any color, but is generally bright green because it’s the color furthest away from human skin tones. (Blue screens were frequently used in the early days with film and might still be used in some instances.) Sometimes the term is used as a fit-all for the entire keying process (see below).

Chroma Key: This popular term goes hand-in-hand with green screen. It’s the actual technique of layering or compositing two images based on color hues. Every color has a chroma range, hence where the terminology comes from.

Keying: This term describes removing the green screen background in post-production using video editing software. When the green screen background has been keyed, it’ll be fully transparent. Then you can fill in that transparent area with a different image or video. The goal is to get the cleanest key possible, meaning no digital artifacts are left on your image where the green screen initially appears.

Spill: This often refers to the colored light that reflects back onto your subject from the green screen. When a green screen is brightly lit, the light can reflect that color back onto your subject, casting unwanted green light. This can cause an issue in the keying stage.

You can take several steps to prevent spills, which we’ll discuss below.


The TLDR on Green Screens

We know you’re busy, and we know this article is long. If you’re looking for the TLDR of green screens, we’ve picked out six essential rules that will set a good foundation for your next chroma key project.

1. Start with the Right Green (or Blue)

Use a non-reflective green screen material and look for colors such as “chroma key green” and “digi green.” These colors are toned to be ideal for use with green screens.

Alternatively, blue screens can also be used, especially for replicating night scenes. Learn more about the green vs. blue screen debate to determine which color is right for your shoot.

2. Separate Your Subject from the Background

Keep your subject at least six feet away from the green screen. This helps minimize spill and unwanted shadows appearing on the green screen background.

3. RAW Is King

Film with the highest bit-rate/least compressed codec you can. 10-bit color will be superior to 8-bit. ProRes 442 and 444 are always good options and RAW is even better if you have that ability.

4. Expose the Background Properly

Light your foreground and your backdrop separately. It’s also important to light your green screen backdrop evenly. Proper lighting exposure helps to avoid excess green lighting spill.

5. Eliminate Motion Blur

Filming with a faster shutter speed reduces motion blur and helps provide a cleaner key. You can always add secondary motion blur back in during post-production.

We’ll talk about one of the better plugin options that’s available and a tutorial on using it.

6. Let the Software Do the Work

Utilize chroma keying-specific software, like the Delta Keyer in DaVinci Resolve to get the best key quickly.


Green Screen Materials – What You Need

Unless you’ve got a big ol’ budget to spend on greened-out studio space (or your own cyclorama), your options for green screen are the DIY or the all-inclusive kit route.

Your budget and your concept are the main factors determining the best fit, but we’ll break down the basics here.

DIY Green Screen

Just slap some fluorescent green paint on a wall, and you’re done. No, but that’s not far off from your DIY options for green screen. When you’re taking the hand-made approach, it’s all about getting the suitable material for the backdrop. There’s paint, muslin, nylon, poster board, and more.

Think about factors like:

  • Portability: Do you plan to make a studio space, or do you want options on-the-go? Light, stretchy fabrics are the best for movers and shakers.
  • Patience: Do you have the patience (or time) to spend ironing or steaming out wrinkles from fabric? If so, you can opt for a heavier fabric that wrinkles easily but provides excellent coverage.
  • Coverage: Are you filming a whole scene or an up-close subject? The amount of coverage you need will dictate how much material you need. A poster board could fit the bill if you want to cover a small space.

Use our DIY green screen guide to learn more about the essential materials, lighting, and mounting equipment for building your special effects set.

Green Screen Kits

Kits are the fast, easy option for those who want to skip the customization and get right to filming. There’s a variety to choose from, from small, portable screens to full-size setups for a more permanent installation. Many of these kits are made with small productions, like YouTube content.

Perfect for talking head segments, these screens have enough coverage to get a transparent background around the subject’s face. Certain kits are also handy if you plan to film on-the-go. These kits are perfect for the traveling filmmaker with easy assembly, breakdown, and streamlined storage in mind.

Take your pick with our list of the best green screen kits on the market, with the pros and cons covered for each.


How to Shoot a Green Screen Scene

Alice in Wonderland filmed with a green screen
Image via Walt Disney Studio Motion Pictures.

Planning and visualizing your final scene is crucial when shooting with a green screen. Concept art and storyboards can help with this process. But your main goal is to determine what’s real and what isn’t in your scene. This means you want to know what will physically be in the scene and what will be added later during post-production.

If your scene is particularly complex, with layers of green screen, you’ll want to establish a clear guide to everything.

In some instances, you may need real props on set that your actors can reference. In behind-the-scenes shots, you’ll often see tennis balls hanging on the green screen set. These provide the actors with visual reference points.

Lighting is another huge consideration. Think about lighting your character to match the lighting of the environment they’ll populate. This will make a drastic difference when it comes to the final chroma key composite and layering everything together.

This section will cover all the steps and considerations for completing a green screen shoot.

Here’s what we’ll dive into:

  1. Planning
  2. Lighting
  3. Clean Chroma Key

Step 1: Planning Your Green Screen Shoot

Determining Scale: This is the time to calculate the scale of your final scene and the best lenses for filming your actors. If you’re planning on creating a wide-angle scene, it makes sense to film your subjects at the correct scale. This process primarily relies on knowing the lens’s field of view to film the background element, which is often referred to as a background plate.

It’s essential that you shoot both the foreground and background with the same focal length lens, or at least as close as you can guesstimate if you don’t know the lens used to film the background plate.

Screenshot of green screen formula
Image via Mark Vargo.

One thing worth noting is that the wider the background shot is, the larger the green screen will have to be to fully cover your actors. Luckily, Mark Vargo walks us through this process in this article, which utilizes the lens field of view to calculate the final green screen size required for any shoot. The more notes you have from the original background shot (such as lens, time of day, etc.) the easier this process will be.

As a rule of thumb, wider shots that capture your actor’s entire body and action shots that require lots of movement will need a full green screen that also covers the ground, and maybe even the side of the shot. If this is the case, make sure the screen has no edges so that you can key in easily. You’ll want to use a curved screen and drops without hard edges to the floor or to side walls.

Prepping Actors and Objects: You’ll have to prep actors and props for use on green screen. Obviously, avoid green! Actors shouldn’t wear green or they’ll end up transparent in the key.

You should also avoid shiny objects, as these can reflect the green and cause transparent spots. If reflective objects must be used, you’ll likely have to manually mask around those objects in post-production. This can be time consuming, so plan ahead if that’s ultimately required.

Step 2: Lighting a Green Screen

Filming The Hobbit fire scene on a green screen
Image via Warner Bros.

There are three non-negotiable rules to lighting a green screen:

  • The lighting must be even
  • The lighting must be soft and diffused
  • The green screen must be lit separately from the subject

When lighting your green screen background, the goal is to get the lighting as even as possible. This helps ensure that the green coloring is even, with no hot spots or shadows, which will help with the chroma key process in post-production.

Think of it as needing a blank canvas. To truly have a blank canvas, you need the canvas to look the same across the whole . . . canvas. Does that make sense?

You’ll also need to light your actors and the green screen separately, preferably with the actors and the green screen background at least six feet apart. Remember to match the lighting on your actor to the scene in which they’ll appear once the green screen is composited.

For an example of what this looks like, check out the tutorial below (I’ve timestamped this part of the video).

In this article on green screen lighting, you’ll find the key to even lighting is the same for achieving soft light in any other shooting scenario—use big, soft light sources. Hard light sources with no diffusion will create hot spots on the green screen background.

To diffuse your lights, you can use on-light diffusion boxes or set up large silk frames. If you’re on a budget, try using a white bed sheet mounted on a C-stand a few feet in front of your light. I’ve found that once I had a greater understanding of lighting subjects in general, lighting a subject in front of a green screen was a much easier process and I ended up getting better results.

Todd Blankenship’s tutorial on lighting is an essential piece of content for your preparation leading up to filming something in front of a green screen. You’ll learning about metering properly for a subject, mixing matching color temperatures, and why diffusion is key.

Check it out:

The placement of your lights also matters. If you’re only using two lights to illuminate your background, place one light on each side of the green screen, a few feet back on a 45 degree angle. You can fine-tune/adjust the angle of each light to make sure they’re not overlapping too much in the center.

Make sure you’re using the same lights on each side of the green screen for consistency. On bigger productions, you may need to use overhead lighting, additional lights, or more diffusion, but the basic principles outlined here will be the same.

Step 3: Getting a Clean Chroma Key

Cliff scene from the movie 300
Image via Warner Bros.

As mentioned, chroma key refers to the technique of compositing two images (or video clips) together based on color hues. And, in our case, we’re using a green screen to replace what’s behind our actors. You’ll often hear the term “clean chroma key” when editors are referring to green screen composting. A clean chroma key composite is the end goal.


Preventing Spill

A clean chroma key will leave the actors or subject with crisp, defined edges that look natural. But sometimes, digital artifacts, jittery/jagged edges, and color spill from the green screen can appear. Spill is one of the biggest offenders. It happens when the green screen reflects back on your subject, creating a green halo that’s hard to get rid of in post.

This article on clean chroma keying has some helpful tips and tricks that will help your chroma key results, including how to prevent spill with thoughtful planning. One of the first is deciding if you should use a green screen or blue screen.

On today’s digital cameras, green will likely give you the cleanest key. However, if your actor has blonde hair or green clothing, you’ll likely have better results with a blue screen, as green can spill into light-colored hair.


Using Motion Blur

The whole point of the green screen process is to achieve sharp edges, and motion blur can undo this. For that reason, it’s best to film green screen shots with a fast shutter speed to eliminate motion blur. This may almost appear as a stuttering movement on the actors.

You can fix this by adding motion blur back onto your actors in post-production. You can use CC Force Motion Blur in After Effects or try the third-party plugin ReelSmart Motion Blur. Adding motion blur back on your composite will make a noticeable difference.

I’ve included a tutorial for using ReelSmart Motion Blur below (the video has been timestamped!).


Film with a Low ISO

You also want to make sure you film your green screen scene with a low ISO setting. We recommend the lowest ISO setting your camera has available. This is because higher ISO levels introduce noise artifacts and those will appear on the green screen background. This can result in a lot of “off-color” spots on the green screen background that can make the keying process more difficult.


How to Key a Green Screen Scene

If you have followed the green screen workflow recommendations, keying your footage will be much easier. Always fix any issues on set if you notice them because the adage “fix it in post” won’t work well with green screen footage. It really is a multifaceted process that requires a collaborative workflow.

So, let’s talk about how to get through this process as seamlessly as possible by looking at how to do this in each of the most popular editing programs.


Keying with Your NLE of Choice

Screenshot of keying effect
Working with a Green Screen Is Easier than Ever — Here’s Why. Image via Rubidium Wu.

Keying effects aren’t just limited to composing software anymore. Nowadays, you have many options for the chroma key software you can use for keying your green screen footage.

Nearly every traditional non-linear editor has a chroma keyer built into it. Some excellent free software options are available, such as HitFilm Express and DaVinci Resolve.

Keying in DaVinci Resolve

DaVinci Resolve is a free video editor regarded as one of the best color grading applications available. It also has some great chroma key tools, as well. In this article, learn how to pull a clean key in DaVinci Resolve from start to finish.

Resolve’s effects are applied using a node-based workflow, which may take some time to get used to if you haven’t used one before. However, this node-based system will ultimately give you the most options when it comes to customizing your footage with various keying effects.

Working in Resolve will ultimately require a significant understanding of the color wheels, and how the color wheels look and feel in the context of the layout of the program.

Below is a tutorial on using Resolve’s color wheels to your advantage and what to expect.

Keying in After Effects

Adobe After Effects is another popular option (and this author’s chroma key software of choice). Because After Effects is a dedicated compositing program, you can imagine there are lots of effects you can use to refine your chroma key.

The free built-in keyer effect called Keylight is quite powerful and was developed by The Foundry, the same company that makes Nuke, a robust professional compositing application.

Check out this tutorial to learn more about keying footage in After Effects.

Keying in Premiere Pro

Even though Premiere Pro is first and foremost a non-linear editor, it has most of the powerful keying effects from After Effects built-in it, as well. This keying in Premiere Pro tutorial shows the entire chroma key process for Premiere Pro.

The keying effects in Premiere Pro are fantastic if you need a quick turn-around on a project. They’ll save you from having to round-trip into After Effects, which will also save on render time/file management. The only drawback in Premiere Pro will be if you have to do a lot of manual masking. You’ll be much better off in After Effects for that type of work.

One other scenario you’ll probably find yourself in as an editor is receiving footage or screens that need to be keyed out and replaced with something else. Look no further than our own Shutterstock Tutorial video on how to key out a phone screen for a screen replacement in Premiere and After Effects.

Keying in Final Cut Pro X

Final Cut Pro X has a more causal workflow when dealing with green screen footage. This can be useful for amateur video users or YouTubers who need a quick solution.

Add your green screen footage to your timeline, then apply the Keyer effect to the footage. It will automatically key out the green screen with varied results. You can continue to refine the look with some simple controls under the Video options when your clip is selected.

Check out this tutorial on keying your footage in Final Cut Pro X for a simple walk-through.

Keying in HitFilm Express

HitFilm Express is another free option comparable to After Effects, with a more compositing-focused workflow. You can key out your footage using two different effects, the Color Difference Key effect and the Hue & RGB Key effect.

Conversely, if you need an even more powerful keying option, they also have a paid Chroma Keyer effect. (The Chroma Keyer effect is included in the paid version of HitFilm, but must be purchased separately if you’re using the free HitFilm Express.)

Check out this tutorial to see the chroma keyer workflow in HitFilm Express.


How to Fix Bad Green Screen Footage

If you’re working with a less-than-ideal green screen setup, there are still methods you can take to help remedy the final footage. While there are some post-production options for fixing green screen mistakes, it’s always better to catch them on set.

If Your Green Screen Background Has Problems

If your green screen background is less-than-ideal—for example, if the green screen has wrinkles on it—you can film with a shallow depth of field to help blur out the background. This will help smooth out wrinkles and potential shadows/hot spots, making post-production keying easier.

If you’re given footage to work with, and the green screen doesn’t look ideal or is hard to work with, check out this tutorial:

If There’s Too Much Spill

Use masking as much as possible. As mentioned before, if your subject is wearing green clothing or reflective jewelry, you’ll probably want to create a mask around that area and keyframe it manually. Then overlay that back on top of your footage so it doesn’t get removed by accident during the keying process.

I also recommend roughly masking out your actor before the key. You can always set keyframes for the mask and move it around if they do. Just make sure they don’t move outside of the masked area at any point.

Green screen spill can be tricky to get rid of. It often requires finding the perfect chroma key balance for the background and your subject, then desaturating any green color remnants left on your topic.

In this article from RocketStock, learn how easy it is to fine-tune spill suppression with After Effects’ built-in tools. Getting this perfect will drastically help sell the final look of your chroma key.


Discover additional comprehensive guides to everything filmmaking:

Cover image via solarseven.

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