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DaVinci Resolve: THE Total Guide to the Best Free Video Editor
Find out everything you need to get started in DaVinci Resolve with this complete, six-part video guide to the best free video editor on the market.
Working with High Frame Rate Proxies in Adobe Premiere Pro
Working with proxy files in Adobe Premiere Pro is easy, but high frame rate footage requires a few extra steps. Here’s what you need to know.
The Supervising Sound Editor You’ve Never Heard of Is Quietly Saving Movies
We recently spoke with one of the busiest supervising sound engineers in the business about what it takes to build a world using sound.
The Indie Filmmaker’s Guide to Low- or No-Budget Location Scouting
So you’re making a film, and there’s no budget for location scouting and management. No problem — here’s how you handle it yourself.
Interview: Adam Salky on Directing Projects with Powerful Emotional Themes
Director Adam Salky talks about his approach to filmmaking and working on his recent project “I Smile Back” with Sarah Silverman.
Video Tutorial: Time-lapse Workflow for the GH5 — Part 2
One of the most exciting features of the GH5 is its ability to shoot a high-resolution time-lapse, in-camera without any additional gear or software.
Controlling High, Medium, and Low Image Noise Frequencies
Every filmmaker is familiar with image noise, but what are its frequencies, and what’s really going on when we clean it up?
DaVinci Resolve 15 Video Crash Course — Basic Settings
In part 6 of our six-part video series The DaVinci Resolve 15 Crash Course, we take a look at the basic settings you need to know to …
The Editor of Green Book Offers Insight into the Art of Balance
We spoke with the Oscar-nominated editor of Green Book, Patrick J. Don Vito, about knowing when to make the call and kill your darlings.
The Audio Ramp-Up: The Best Transition You Should Be Using
Sometimes, your project needs more than a simple cut, but a flashy transition is too much. Enter the audio ramp-up transition.
Set Photographer Matt Kennedy on Shooting for Marvel and More
Still photographer Matt Kennedy shares insights about shooting for both big projects like Black Panther and smaller, more intimate productions.
The Cameras and Lenses Behind 2019’s Oscar-Nominated Films
A look at the cameras and gear used to capture all of the 2019 Academy Award nominees for Best Picture and Best Cinematography.